Fitzgerald's stories chronicled a new generation of American youth whose excesses astounded their elders, and his delightful, bold, and infuriating characters provided a template for the modern socialite. Any talk of the "Jazz Age" (also known as the "Roaring Twenties") of the 1920s immediately brings to mind images straight out of Fitzgerald's world – devastatingly charming flappers and their debonair dates. The collection that features "Bernice Bobs Her Hair" is actually titled Flappers and Philosophers (1920), a label that immediately announces its subject matter.
Fitzgerald strove to faithfully and entertainingly depict the changing face of youth in his time; the women are envisioned as forward-thinking, revolutionary "flappers" (slang for the kind of new, fast-talking, Charleston-dancing, jazz-listening, leg-baring gal that emerged at this time), while the men, who either narrowly missed or survived the horrors of World War I, are labeled "philosophers." This title sums up the hedonistic modus operandi of the period: life might be short, so you might as well make it as sweet as possible.
"Bernice" isn't quite as dramatic in its embrace of this philosophy as some of Fitzgerald's other works, but it still gets the message across. The young characters we encounter here are on a different schedule than their parents; instead of planning for the future, they're all about living in the moment. Marjorie proudly claims to be a "gardenia girl", a blossom that's incredibly beautiful, but whose beauty fades fast. Rather than plodding along steadily and never really enjoying herself, Marjorie's motto is something akin to "live fast, die young." Bernice, on the other hand, represents the traditional mode of womanhood – she's totally predictable, and totally boring. The conflict between the two cousins demonstrates the tumultuous social conditions of Fitzgerald's time, with a freshness and accessibility that still impresses readers even ninety years down the road.
Symbolism, Imagery, and Allegory
Hair
It's obvious from the title that hair – and a certain haircut – is of great import in this text. Hair (both Bernice's and Marjorie's) has great symbolic weight here. There's a reason that everyone is so shocked and titillated by the idea of Bernice bobbing her beautiful hair; up until the 1920s, long, glorious, pampered hair was a key component of traditional feminine beauty. The idea of bobbed hair, which came into style in the Roaring Twenties, was considered scandalous and, as Bernice herself jokingly comments, even "unmoral". At the end, one of the reasons Mrs. and Mr. Harvey are so upset by Bernice's bob is that one of their friends, Mrs. Deyo, is a strong opponent of bobbed hair. The fact that a simple hair cut could so upset an entire town may seem ludicrous to us now, but if we consider it in the context of the changing social period Fitzgerald lived in, it makes more sense. Long hair represented both a woman's beauty and her virtue – and bobbing one's hair simply wasn't seen as something a respectable, well-bred girl would do. When Bernice bobs her hair, she is horrified by the dramatic way in which it changes her whole appearance; it robs her of her charm and renders her totally altered. This horror is what makes her ultimate revenge on Marjorie – the removal of her cousin's beautiful hair – even more fitting and gleefully, sinfully, delicious. Marjorie, for all her talk of being a modern girl, prides herself on her traditional feminine beauty, something that Bernice violently takes away from her at the end of the story.
Women / Womanhood
"Bernice Bobs Her Hair," is an allegory for the changing social mores of Fitzgerald's time. Bernice, Marjorie, and Mrs. Harvey all represent different kinds of womanhood, and different sets of social beliefs, and their interactions demonstrate to us the conflict between tradition and modernity. The old-fashioned world that Mrs. Harvey (and Bernice's unseen mother) represent is one in which "all young ladies who belonged to nice families had glorious times", and Little Women was still a model for feminine behaviour. Marjorie, on the other hand, lives in a modern world where a girl has to earn her own popularity. Poor Bernice is stuck in an odd transitional period in between these two ideological spheres, and the conflict of the story is really her struggle to move from one to the other.
Women and Femininity
Up until the twentieth century, one of the most common questions in literature was, "What do men expect from women?" After a certain point, however, the question changed. In "Bernice Bobs Her Hair," we see a new issue emerge: what do women expect from women? This story asks us to evaluate and challenge traditional expectations of womanhood and femininity in comparison to a new kind of woman that exploded into life in the post-Victorian era. However, in the end, neither definition is totally satisfactory; Fitzgerald asks us to question whether or not we should create clear-cut models for femininity at all.
Theme of Youth
"Bernice Bobs Her Hair," like many of Fitzgerald's stories and novels, contemplates what it means to be young, specifically, what it means to be young in a wildly changing social climate. The young people we see here challenge the belief systems they grew up with, and, at times, they shock their parents and other elders. The story asks us to ponder youth and its value, while also looking rather fondly back at the teenage years as a time of rash decisions and heightened emotions.
Identity
It's tough to develop – and maintain – one's own sense of individual identity, when the whole world seems to want to tell us how to act, dress, think, and speak. The characters in "Bernice Bobs Her Hair" don't have it any easier. Even though this story takes place in the now-distant 1920s, we can sympathize with them; they're all dominated by social expectations, pressures, and judgments of the trend-heavy world around them.
Competition
Girls can be competitive. In "Bernice Bobs Her Hair," social competition becomes a matter of life and death. The two main characters unintentionally become fierce competitors in the brutal game of popularity, and when it becomes apparent that an eligible bachelor is the prize, they pull out all stops. What results is a chain of events that is by turns horrible and hilarious.
Betrayal
the antagonist of "Bernice Bobs Her Hair" flips instantly from mentor to metaphorical murderer. The end of this story hinges upon a vicious act of betrayal, and in its aftermath, nothing can possibly be the same again. The story rather uncomfortably asks us to examine just how quickly things can go from ideal to awful – and how the twin demons of competition and jealousy can instantly change the nature of a relationship.
Jealousy
Jealousy plays a central role in "Bernice Bobs Her Hair." Even though its antagonist, a girl who seems to have it all, realizes full well that she has it all, she still can't help but be jealous. In "Bernice Bobs Her Hair," jealousy is simply a fact of life, especially when the person in question is a popularity-obsessed teenager who's used to getting everything she wants. Fitzgerald reminds us of the bitter truth – even when we don't realize it, we're often jealous of someone. It sneaks up on us unawares, and sometimes we don't even recognize it until its too late. Once released, though, jealousy is almost impossible to rein in.
Plot Analysis
Initial Situation
Bernice visits her cousin, Marjorie, for the summer.
The set-up to this story is simple – Marjorie is a ten, but her cousin Bernice is a zero. We see evidence of this at the country club dance, where Marjorie basically has to flirtatiously blackmail people into dancing with the boring Bernice. The difference between the two cousins couldn't be more obvious. We get the feeling that Marjorie just can't wait to get her cousin off her back and enjoy the rest of her summer.
Conflict
Bernice overhears a conversation
(about herself) between Marjorie and Mrs. Harvey; Bernice and Marjorie quarrel.
The conflict here is quite a literal one – Bernice, who overhears her cousin trash-talking her, confronts Marjorie, and the two of them get into a (verbal) fight. Marjorie's sharp-tongued attacks on her rather feeble cousin are effective, and we see what the two of them are really made of – at this stage, at least. The conflict between cousins sets us up to view Marjorie as the strong character and Bernice as the weak, submissive one. This kind of throws us for a little loop when the "Complication" comes along…
Complication
Motivated by Marjorie's criticism, Bernice decides to try to learn how to be popular.
Bernice's change of heart certainly throws a big fat wrench into the works here. While we were ready to accept Bernice's anticipated return home to Eau Claire, she throws us a curveball and decides to stay. We're not sure what's going to happen as these two antagonistic cousins attempt to work together to reinvent Bernice's image, and, like Bernice, we feel some trepidation about it.
Climax
Under Marjorie's tutelage, Bernice becomes a social success – so much so that Warren transfers his affections to her. Marjorie confronts Bernice about Warren.
Things are going well, but there's trouble in paradise. As soon as Bernice threatens her status as queen bee, Marjorie turns against her cousin. This flip from mentor to antagonist is a distinct landmark in the story – we know that things will never be the same between Bernice and Marjorie.
Suspense
Marjorie exposes Bernice's "line" about bobbing her hair at a party.
This scene, which takes place at an afternoon bridge party, is one of the greatest moments of discomfort in the story. Marjorie, jealous of Bernice's success, reveals the fact that Bernice doesn't actually intend to cut her hair. The resultant challenging curiosity that she faces from all of her new friends throws her into a position of anxiety and uncertainty.
Denouement(anti-climax)
Bernice bobs her hair.
Finally, here it is – the moment we've all been waiting for since the title. Bernice does in fact go to the Sevier Barber Shop and bob her hair, and the story shows us at last what we've been alternately hoping for and dreading all along. The haircut is a disaster, and everything Bernice has worked for is immediately destroyed with the snip of a pair of shears. All of a sudden, Bernice is alone – her new "friends" abandon her (including Warren), and there's no way she can return to her old, sedate life.
Conclusion
Bernice takes revenge on Marjorie by chopping off her hair.
This incredibly satisfying conclusion settles the score: Marjorie gets her comeuppance for being a manipulative, jealous, and cold-hearted villain. The conclusion is both resolution and irresolution, for while we get the undeniable thrill of seeing Bernice get her revenge, we're also not sure about her own future. That's part of what makes this story so enjoyable, though – the uncertainty is exciting and strange, and we hope that Bernice goes out with her new-found determination and will and becomes strong woman she has the potential to be.
Fitzgerald strove to faithfully and entertainingly depict the changing face of youth in his time; the women are envisioned as forward-thinking, revolutionary "flappers" (slang for the kind of new, fast-talking, Charleston-dancing, jazz-listening, leg-baring gal that emerged at this time), while the men, who either narrowly missed or survived the horrors of World War I, are labeled "philosophers." This title sums up the hedonistic modus operandi of the period: life might be short, so you might as well make it as sweet as possible.
"Bernice" isn't quite as dramatic in its embrace of this philosophy as some of Fitzgerald's other works, but it still gets the message across. The young characters we encounter here are on a different schedule than their parents; instead of planning for the future, they're all about living in the moment. Marjorie proudly claims to be a "gardenia girl", a blossom that's incredibly beautiful, but whose beauty fades fast. Rather than plodding along steadily and never really enjoying herself, Marjorie's motto is something akin to "live fast, die young." Bernice, on the other hand, represents the traditional mode of womanhood – she's totally predictable, and totally boring. The conflict between the two cousins demonstrates the tumultuous social conditions of Fitzgerald's time, with a freshness and accessibility that still impresses readers even ninety years down the road.
Symbolism, Imagery, and Allegory
Hair
It's obvious from the title that hair – and a certain haircut – is of great import in this text. Hair (both Bernice's and Marjorie's) has great symbolic weight here. There's a reason that everyone is so shocked and titillated by the idea of Bernice bobbing her beautiful hair; up until the 1920s, long, glorious, pampered hair was a key component of traditional feminine beauty. The idea of bobbed hair, which came into style in the Roaring Twenties, was considered scandalous and, as Bernice herself jokingly comments, even "unmoral". At the end, one of the reasons Mrs. and Mr. Harvey are so upset by Bernice's bob is that one of their friends, Mrs. Deyo, is a strong opponent of bobbed hair. The fact that a simple hair cut could so upset an entire town may seem ludicrous to us now, but if we consider it in the context of the changing social period Fitzgerald lived in, it makes more sense. Long hair represented both a woman's beauty and her virtue – and bobbing one's hair simply wasn't seen as something a respectable, well-bred girl would do. When Bernice bobs her hair, she is horrified by the dramatic way in which it changes her whole appearance; it robs her of her charm and renders her totally altered. This horror is what makes her ultimate revenge on Marjorie – the removal of her cousin's beautiful hair – even more fitting and gleefully, sinfully, delicious. Marjorie, for all her talk of being a modern girl, prides herself on her traditional feminine beauty, something that Bernice violently takes away from her at the end of the story.
Women / Womanhood
"Bernice Bobs Her Hair," is an allegory for the changing social mores of Fitzgerald's time. Bernice, Marjorie, and Mrs. Harvey all represent different kinds of womanhood, and different sets of social beliefs, and their interactions demonstrate to us the conflict between tradition and modernity. The old-fashioned world that Mrs. Harvey (and Bernice's unseen mother) represent is one in which "all young ladies who belonged to nice families had glorious times", and Little Women was still a model for feminine behaviour. Marjorie, on the other hand, lives in a modern world where a girl has to earn her own popularity. Poor Bernice is stuck in an odd transitional period in between these two ideological spheres, and the conflict of the story is really her struggle to move from one to the other.
Women and Femininity
Up until the twentieth century, one of the most common questions in literature was, "What do men expect from women?" After a certain point, however, the question changed. In "Bernice Bobs Her Hair," we see a new issue emerge: what do women expect from women? This story asks us to evaluate and challenge traditional expectations of womanhood and femininity in comparison to a new kind of woman that exploded into life in the post-Victorian era. However, in the end, neither definition is totally satisfactory; Fitzgerald asks us to question whether or not we should create clear-cut models for femininity at all.
Theme of Youth
"Bernice Bobs Her Hair," like many of Fitzgerald's stories and novels, contemplates what it means to be young, specifically, what it means to be young in a wildly changing social climate. The young people we see here challenge the belief systems they grew up with, and, at times, they shock their parents and other elders. The story asks us to ponder youth and its value, while also looking rather fondly back at the teenage years as a time of rash decisions and heightened emotions.
Identity
It's tough to develop – and maintain – one's own sense of individual identity, when the whole world seems to want to tell us how to act, dress, think, and speak. The characters in "Bernice Bobs Her Hair" don't have it any easier. Even though this story takes place in the now-distant 1920s, we can sympathize with them; they're all dominated by social expectations, pressures, and judgments of the trend-heavy world around them.
Competition
Girls can be competitive. In "Bernice Bobs Her Hair," social competition becomes a matter of life and death. The two main characters unintentionally become fierce competitors in the brutal game of popularity, and when it becomes apparent that an eligible bachelor is the prize, they pull out all stops. What results is a chain of events that is by turns horrible and hilarious.
Betrayal
the antagonist of "Bernice Bobs Her Hair" flips instantly from mentor to metaphorical murderer. The end of this story hinges upon a vicious act of betrayal, and in its aftermath, nothing can possibly be the same again. The story rather uncomfortably asks us to examine just how quickly things can go from ideal to awful – and how the twin demons of competition and jealousy can instantly change the nature of a relationship.
Jealousy
Jealousy plays a central role in "Bernice Bobs Her Hair." Even though its antagonist, a girl who seems to have it all, realizes full well that she has it all, she still can't help but be jealous. In "Bernice Bobs Her Hair," jealousy is simply a fact of life, especially when the person in question is a popularity-obsessed teenager who's used to getting everything she wants. Fitzgerald reminds us of the bitter truth – even when we don't realize it, we're often jealous of someone. It sneaks up on us unawares, and sometimes we don't even recognize it until its too late. Once released, though, jealousy is almost impossible to rein in.
Plot Analysis
Initial Situation
Bernice visits her cousin, Marjorie, for the summer.
The set-up to this story is simple – Marjorie is a ten, but her cousin Bernice is a zero. We see evidence of this at the country club dance, where Marjorie basically has to flirtatiously blackmail people into dancing with the boring Bernice. The difference between the two cousins couldn't be more obvious. We get the feeling that Marjorie just can't wait to get her cousin off her back and enjoy the rest of her summer.
Conflict
Bernice overhears a conversation
(about herself) between Marjorie and Mrs. Harvey; Bernice and Marjorie quarrel.
The conflict here is quite a literal one – Bernice, who overhears her cousin trash-talking her, confronts Marjorie, and the two of them get into a (verbal) fight. Marjorie's sharp-tongued attacks on her rather feeble cousin are effective, and we see what the two of them are really made of – at this stage, at least. The conflict between cousins sets us up to view Marjorie as the strong character and Bernice as the weak, submissive one. This kind of throws us for a little loop when the "Complication" comes along…
Complication
Motivated by Marjorie's criticism, Bernice decides to try to learn how to be popular.
Bernice's change of heart certainly throws a big fat wrench into the works here. While we were ready to accept Bernice's anticipated return home to Eau Claire, she throws us a curveball and decides to stay. We're not sure what's going to happen as these two antagonistic cousins attempt to work together to reinvent Bernice's image, and, like Bernice, we feel some trepidation about it.
Climax
Under Marjorie's tutelage, Bernice becomes a social success – so much so that Warren transfers his affections to her. Marjorie confronts Bernice about Warren.
Things are going well, but there's trouble in paradise. As soon as Bernice threatens her status as queen bee, Marjorie turns against her cousin. This flip from mentor to antagonist is a distinct landmark in the story – we know that things will never be the same between Bernice and Marjorie.
Suspense
Marjorie exposes Bernice's "line" about bobbing her hair at a party.
This scene, which takes place at an afternoon bridge party, is one of the greatest moments of discomfort in the story. Marjorie, jealous of Bernice's success, reveals the fact that Bernice doesn't actually intend to cut her hair. The resultant challenging curiosity that she faces from all of her new friends throws her into a position of anxiety and uncertainty.
Denouement(anti-climax)
Bernice bobs her hair.
Finally, here it is – the moment we've all been waiting for since the title. Bernice does in fact go to the Sevier Barber Shop and bob her hair, and the story shows us at last what we've been alternately hoping for and dreading all along. The haircut is a disaster, and everything Bernice has worked for is immediately destroyed with the snip of a pair of shears. All of a sudden, Bernice is alone – her new "friends" abandon her (including Warren), and there's no way she can return to her old, sedate life.
Conclusion
Bernice takes revenge on Marjorie by chopping off her hair.
This incredibly satisfying conclusion settles the score: Marjorie gets her comeuppance for being a manipulative, jealous, and cold-hearted villain. The conclusion is both resolution and irresolution, for while we get the undeniable thrill of seeing Bernice get her revenge, we're also not sure about her own future. That's part of what makes this story so enjoyable, though – the uncertainty is exciting and strange, and we hope that Bernice goes out with her new-found determination and will and becomes strong woman she has the potential to be.
To get into the "vibe" of those times,watch these videos!
No hay comentarios:
Publicar un comentario